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Book Title: Look Back in Anger|
The author of the book: John Osborne
Edition: Faber and Faber
The size of the: 9.84 MB
City - Country: No data
Date of issue: April 2nd 2015
ISBN 13: 9780571322763
Format files: PDF
Loaded: 1964 times
Reader ratings: 3.8
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Look Back in Anger transformed the face of British theatre; legend has it that audiences gasped at the sight of an ironing board on a London stage. John Osborne's play launched the 'angry young men' movement, writers from working or middle class background who had become disillusioned with British society, were sick of contemporary theatre's escapism, and wanted their work to reflect life as they knew it.
The play tells the story of a love triangle between Jimmy, an intelligent and educated man of working class background, his upper-middle-class wife Alison, and her superior and disdainful best-friend Helena. Jimmy hates his wife's background, almost as much as he hates himself. Dark and savage, Look Back in Anger makes readers and audiences re-examine what was once called 'the good life'.
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Read information about the authorJohn James Osborne was an English playwright, screenwriter, actor and critic of The Establishment. The stunning success of his 1956 play Look Back in Anger transformed English theatre. In a productive life of more than 40 years, Osborne explored many themes and genres, writing for stage, film and TV. His personal life was extravagant and iconoclastic. He was notorious for the ornate violence of his language, not only on behalf of the political causes he supported but also against his own family, including his wives and children though they often gave as good as they got.
He came onto the theatrical scene at a time when British acting was enjoying a golden age, but most great plays came from the United States and France. British plays remained blind to the complexities of the postwar period. Osborne was one of the first writers to address Britain's purpose in the post-imperial age. He was the first to question the point of the monarchy on a prominent public stage. During his peak (1956-1966), he helped make contempt an acceptable and now even cliched onstage emotion, argued for the cleansing wisdom of bad behaviour and bad taste, and combined unsparing truthfulness with devastating wit.
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