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Ebook Visions. Libro di sangue vol. 5 by Clive Barker read! Book Title: Visions. Libro di sangue vol. 5
The author of the book: Clive Barker
Edition: Sonzogno
The size of the: 11.62 MB
City - Country: No data
Date of issue: 2002
ISBN: 884542216X
ISBN 13: 9788845422164
Language: English
Format files: PDF
Loaded: 1025 times
Reader ratings: 7.1

Read full description of the books:

This has been my first Clive Barker read, and I was very pleasantly surprised by it.

From what I had heard of Barker before, I had assumed his work was in the gory blood porn genre. As such I was never very interested in trying out any of his work, since the more trashy kind of cheap thrills that Stephen King used to grind out in his earlier years, really never did sit well with me. Neither does the kind of horror that features sexy teenagers being systematically mangled by homicidal maniacs (usually with very long butcher's knives) .

On the contrary, the volume I’ve just finished is a small collection of short stories that is intelligent, imaginative and satirical dark fantasy, the likes of which you see in the work of authors like Ray Bradbury and Gene Wolfe, with just a touch of a Lovecraftian sense of the macabre and a dollop of Kafka’s sense of the absurd.

A trademark feature seems to be that the stories start off with a very commonplace scenario, where everything is sane and normal, and as commonplace as the routine you or I experience every day as we set off to work or school.

Gradually a sense of weirdness starts to encroach as the stories progresss;- in some cases it works well, though in The Forbidden it did not work for me at first. At first glance it seemed like a childish attempt at painting a horror figure, and I think this is a clue as to how the picture of Barker as a cheap thrill goremonger might have evolved.

However, after reading the rest of the stories, I realised that Barker’s works work on two levels. Despite throwing in a few bones for the cheap thrill junkies, (some of them being decidedly gore-less, nevertheless), there is a lot of social commentary and satire going on in the background.

I had a squiz at the plot of the movie “Candyman” which was based on The Forbidden, and there it was obvious to me that the hidden theme was distorted and ignored in the film – its maker opting to put it into the slasher genre. (I’ll bet they made more money that way).

The actual theme originally intended by Barker, (besides a bit of a poke at the snobbish one-upmanship always to be found in intellectual/academic circles) seemed pretty obviously to me, to be a working of the theme that there is nothing worse for the human psyche than to be ignored, impotent, ridiculed, and/or nondescript, since everybody needs their existence validated somehow. For some the issue is important enough as to even draw attention to themselves in negative ways, as long as it means they get attention, of whatever kind.

The Candyman is a symbol of the allure of fame or notoriety, and Helen withstands this allure for a while, though she succumbs at the very end. Earlier in the story, other characters also succumbed to the Candyman, by telling sensationalist lies and …*censored for spoilers*.
The story also offers an effortless juxtaposition of the contrasting worlds of people living on the edges of society, with that of snobbish university circles.

Barker delivers his double message cleverly enough camouflaged that sadly, a lot of people probably do dismiss works like The Forbidden as simply being of the horror “slasher” genre.

The Madonna is a wonderfully imaginative tale of ambiguity, which touches on relationship and gender issues, but overall delivers a delightful sense of the weird and macabre that only a Kafka or Lovecraft can match, yet delivered in pleasantly muted tones which makes it an enjoyable read.

Babel’s Children is a delightful little comic satire displaying Barker’s disdain for world politics.

In the Flesh was probably the story that touched me the most deeply and remained with me the longest, even managing to find it’s way into my dreams. I found myself identifying and empathizing with the characters in this one. Some of the story actually seems to have come from a dreamworld itself, and is guaranteed to please lovers of dark fantasy who enjoy exploring the landscapes of dream and psyche.

My interest has definitely been piqued, so I will be reading more Barker soon.

EDIT: (later) After reading some earlier Barker, I wasn't quite as impressed. It seems that his later, more mature works are definitely an improvement on his earlier fare.

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Read information about the author

Ebook Visions. Libro di sangue vol. 5 read Online! Clive Barker was born in Liverpool, England, the son of Joan Rubie (née Revill), a painter and school welfare officer, and Leonard Barker, a personnel director for an industrial relations firm. Educated at Dovedale Primary School and Quarry Bank High School, he studied English and Philosophy at Liverpool University and his picture now hangs in the entrance hallway to the Philosophy Department. It was in Liverpool in 1975 that he met his first partner, John Gregson, with whom he lived until 1986. Barker's second long-term relationship, with photographer David Armstrong, ended in 2009.

In 2003, Clive Barker received The Davidson/Valentini Award at the 15th GLAAD Media Awards. This award is presented "to an openly lesbian, gay, bisexual or transgender individual who has made a significant difference in promoting equal rights for any of those communities". While Barker is critical of organized religion, he has stated that he is a believer in both God and the afterlife, and that the Bible influences his work.

Fans have noticed of late that Barker's voice has become gravelly and coarse. He says in a December 2008 online interview that this is due to polyps in his throat which were so severe that a doctor told him he was taking in ten percent of the air he was supposed to have been getting. He has had two surgeries to remove them and believes his resultant voice is an improvement over how it was prior to the surgeries. He said he did not have cancer and has given up cigars. On August 27, 2010, Barker underwent surgery yet again to remove new polyp growths from his throat. In early February 2012 Barker fell into a coma after a dentist visit led to blood poisoning. Barker remained in a coma for eleven days but eventually came out of it. Fans were notified on his Twitter page about some of the experience and that Barker was recovering after the ordeal, but left with many strange visions.

Barker is one of the leading authors of contemporary horror/fantasy, writing in the horror genre early in his career, mostly in the form of short stories (collected in Books of Blood 1 – 6), and the Faustian novel The Damnation Game (1985). Later he moved towards modern-day fantasy and urban fantasy with horror elements in Weaveworld (1987), The Great and Secret Show (1989), the world-spanning Imajica (1991) and Sacrament (1996), bringing in the deeper, richer concepts of reality, the nature of the mind and dreams, and the power of words and memories.

Barker has a keen interest in movie production, although his films have received mixed receptions. He wrote the screenplays for Underworld (aka Transmutations – 1985) and Rawhead Rex (1986), both directed by George Pavlou. Displeased by how his material was handled, he moved to directing with Hellraiser (1987), based on his novella The Hellbound Heart. His early movies, the shorts The Forbidden and Salome, are experimental art movies with surrealist elements, which have been re-released together to moderate critical acclaim. After his film Nightbreed (Cabal), which was widely considered to be a flop, Barker returned to write and direct Lord of Illusions. Barker was an executive producer of the film Gods and Monsters, which received major critical acclaim.

Barker is a prolific visual artist working in a variety of media, often illustrating his own books. His paintings have been seen first on the covers of his official fan club magazine, Dread, published by Fantaco in the early Nineties, as well on the covers of the collections of his plays, Incarnations (1995) and Forms of Heaven (1996), as well as on the second printing of the original UK publications of his Books of Blood series.

A longtime comics fan, Barker achieved his dream of publishing his own superhero books when Marvel Comics launched the Razorline imprint in 1993. Based on detailed premises, titles and lead characters he created specifically for this, the four interrelated titles — set outside the Marvel universe — were Ectokid,

Reviews of the Visions. Libro di sangue vol. 5


I never liked the book.


Best among ordinary


There are significant drawbacks


I read the whole book with a stupid smile on my face. General advice to everyone!


Great book!

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